Raghu Ram recalls while addressing Ajit Kumar by his name on set: ‘The whole crew was shocked and there was silence’.

Actor Raghu Ram plays the role of a villain in Ajit Kumar The good, the bad, the uglyIn an interview, he shared an insight about his role, when he addressed Ajit by the name, and addressed his upcoming projects.
Talking to India today, Raghu talked about increasing the good bad ugly. He described his role in the film as contrary to his intense, silent character in the doctor. While his doctor The role had a terrible appearance, his new character, although a criminal, bears an unexpected innocence. Director Adik Ravichandran wanted an international criminal – who still surprisingly surprised – which he felt favorable to Raghu. Despite being from Andhra Pradesh, Raghu grew up with various cultural influences in Delhi, including Hindi, Punjabi and TamilNow, with a Canadian wife, her background has become even more global.

Raghu sees working as an important opportunity with Ajit Kumar, although he believes that he could not fully understand his quantity, not idolated to South Indian stars. He plans to visit Chennai with his wife, who sang Ella Ella in Shankar’s AI, so she can see the enthusiasm of a Ajit film release Firsthand.

Recalling a moment from the set, Raghu Ram shared how his habit of addressing people by name caused a strange situation. After coming from Delhi and working in Mumbai, he was used to call colleagues in his name. When Ajit Kumar introduced himself, Raghu naturally did the same, unaware of the reverence around the star. The crew was stunned in silence, later informed that it was considered abusive. Even the director and assistant director reprimanded him during his Spain shoot. Finally, Raghu decided to call Ajit “Sir”, not because of Ajit, but to respect the feelings of the people around him.
Raghu further reflected his experience in Telugu, Tamil, Hindi and Punjabi films, keeping in mind the significant differences between industries. He noticed that Mumbai’s film industry operates in a more corporate and structured manner, while the south remains heavy star-operated. She also stated that Mumbai’s sets often have women major departments, opposite to the south, where women leadership is less common despite her strong administrative and leadership skills.
While discussing the directors, he highlighted how each filmmaker has a unique working style. Adhik Ravichandran continues to improve, sometimes makes it challenging for Raghu due to language obstacles. Conversely, Nelson, who directed the doctor, and Tharun Bhaskar, who is known for Keda Cola, has different ways. He also said that while the South Indian film sets are known for his extended work hours.